the beginning

I would incorporate algorithms that described natural phenomena — light waves, sound — into my vision and give presence to in my works.

Not seeing the work on a screen wasn’t a disadvantage, the artwork was in my mind – in the envisioning.

I saw that algorithms could be reconfigured, they were not a hard set of instructions but fluid, allowing me to transform ideas into new forms.

There was a spontaneity that was related to this process, that then related back into the series of works.